Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of Crewdson’s unique mode of photographic storytelling.
In each image, light, color, and carefully crafted scenography evoke the feeling that, as art historian Alexander Nemerov has astutely described, “all that ever happened in these places seems crystallized in his tableaux as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.” In addition to the full set of images from each series, Alone Street, presents a selection of behind-the-scenes images and storyboards, revealing the extensive preparation and planning that went into the making of each work.
About the Author
Gregory Crewdson (born in Brooklyn, 1962) is a graduate of the Yale School of Art, New Haven, Connecticut, where he is now director of graduate studies in photography.
His series Beneath the Roses is the subject of the 2012 documentary Gregory Crewdson: Brief Encounters. Crewdson’s awards include the Skowhegan Medal for Photography, National Endowment for the Arts Visual Artists Fellowship, and Aaron Siskind Foundation Fellowship. His prior books include Twilight (2002), Beneath the Roses (2008), Cathedral of the Pines (Aperture, 2016), and An Eclipse of Moths (Aperture, 2020). Crewdson is represented internationally by Gagosian Gallery.