At the end of the 1960s, in my father's dark room, I witnessed the slow magic of becoming the image that was revealed in the development tank. My first machine was a Yashica FRII accompanied by a 50 and a 135 mm and a lot of dark room. I was 21 years old. Later I also bought a Zenza Bronica Sqb 6x6. In the following years, work and family commitments led me to use the camera more as a testimony as a memorial of situations lived without any objective or project. For two or three years I have been shooting with more awareness. When I look through the lens, I am looking for spaces within which to "lay out" things and people. The shots that match me and in which I look for a resemblance, are splinters of a world that I love to pack to my pleasure; the world I want. I look for fragments of space-time that communicate energy, attraction but also the non-"said", the not "shown". The images must be looked at and considered, they must be discovered, they must be able to "read" slowly like a book, a book of poems. That's what I'm trying to do.