Mark Cohen: Tall Socks

Tall Socks presents a previously unpublished series of photographs captured by Mark Cohen during a pivotal moment in his early career. In the summer of 1973, Cohen relocated to New York City for a month to attend a filmmaking workshop at NYU. With his classes occupying only a small part of the day, he devoted most of his time to wandering the streets with his camera. While a few of the images were printed shortly afterward, the vast majority remained in negative form—unseen until now.
The New York City of the 1970s was a place marked by turbulence—rising crime, economic decline, and widespread urban decay. Many middle-class families had moved out, and the city bore the signs of abandonment: graffiti-covered walls, overflowing trash, and crumbling infrastructure. Yet amidst this backdrop, Cohen’s photographs reveal a city brimming with energy, motion, and resilience.
Rather than following a strict storyline, the book unfolds like a visual stroll through a city in flux. Each frame captures fleeting moments—an expressive glance, an unexpected detail, a sudden shift in light. The result is a rhythmic visual experience, with Cohen quietly embedded in the urban flow. There’s a tension that surfaces in certain shots—an uneasy stare or a darkened subway stairwell—but also flashes of whimsy: a girl’s exaggerated socks, a woman draped in peacock feathers, or a surreal moment involving a cardboard elephant.

About the Author

Mark Cohen was born and raised in Wilkes-Barre, Pennsylvania, a city that became both his home and the primary backdrop for his photography over several decades. His images were first shown publicly in 1969 at the George Eastman House, but it was his solo debut at the Museum of Modern Art in 1973 that firmly established his reputation.
Cohen is best known for his black-and-white photography, though he was also among the early adopters of color in the 1970s, helping shape the era’s shift in photographic aesthetics.
Drawing inspiration from the lineage of street photographers such as Eugène Atget and Garry Winogrand, Cohen developed a distinctive, offbeat approach. Working with a wide-angle lens and shooting from waist height without looking through the viewfinder, he broke away from traditional portrait techniques. “I don’t make small talk,” he once remarked. “I’m not looking to justify what I do. I photograph people in passing, nothing more.” His images—raw, immediate, and often tightly cropped—reflect the working-class neighborhoods where he lived and worked, offering an unfiltered look at everyday life.
Cohen has been awarded two Guggenheim Fellowships, and his photographs are held in the permanent collections of major art institutions around the world.

A portrait of Mark Cohen by Pascal Martinez

Hardcover: 1 pages
Publisher: A (January 1, 2021)
Language: English
Size: 9.72 x 0.71 x 7.68 inches
Weight: 1.1 pounds
ISBN-10: 1
ISBN-13: 978-1


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