This book is a mission brief, a photographic workshop, a personalised journal, and an anarchic guide to putting the creativity back into your photography.
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Martin Parr Explores British Identity in the time of Brexit in "Only Human" Exhibition, on show at the National Portrait Gallery, London from 07 March to 27 May.
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This new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972, will be published on February 27.
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This new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972, will be published on February 27.
[...]
This new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972, will be published on February 27.
[...]
This new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972, will be published on February 27.
[...]
This new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972, will be published on February 27.
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A six-volume suite of portraits by Friedlander titled Lee Friedlander: The Mind and the Hand, is in preparation and will be published by Eakins Press in the spring of 2019.
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Conceived and edited by film director Martin Bell, Mary Ellen Mark’s husband and collaborator for 30 years, The Book of Everything celebrates in over 600 images and diverse texts Mark’s extraordinary life, work and vision.
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One of the Bruce Gilden’s recent project is Only God Can Judge Me. In his latest and most poignant ongoing series, Bruce Gilden has been photographing street workers addicted to crack and heroin.
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During his long career as a photographer, Martin Parr has always photographed beaches, particularly in the UK. The beach is more than just a common subject for Parr; he has often used the beach as a laboratory to experiment with new cameras and techniques.
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A William Klein selection of his favorite works, those that he considers to be the very best he has made over the course of his long career, in order to pay homage to the medium of photography itself.
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