This new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972, will be published on February 27.
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books
This new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972, will be published on February 27.
[...]
This new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972, will be published on February 27.
[...]
A six-volume suite of portraits by Friedlander titled Lee Friedlander: The Mind and the Hand, is in preparation and will be published by Eakins Press in the spring of 2019.
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Conceived and edited by film director Martin Bell, Mary Ellen Mark’s husband and collaborator for 30 years, The Book of Everything celebrates in over 600 images and diverse texts Mark’s extraordinary life, work and vision.
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One of the Bruce Gilden’s recent project is Only God Can Judge Me. In his latest and most poignant ongoing series, Bruce Gilden has been photographing street workers addicted to crack and heroin.
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During his long career as a photographer, Martin Parr has always photographed beaches, particularly in the UK. The beach is more than just a common subject for Parr; he has often used the beach as a laboratory to experiment with new cameras and techniques.
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A William Klein selection of his favorite works, those that he considers to be the very best he has made over the course of his long career, in order to pay homage to the medium of photography itself.
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A family is brought to near ruin by a pet python, an Icelandic advertising agency has a problem with a campaign involving a dead seagull, a Chiropodist desperately wants to stop examining people's feet and dreams of becoming a Pirate... These are just a few of the many situations from SPARKS, a book that imagines the stories behind original street photographs.
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The first definitive monograph of color photographs by American street photographer Vivian Maier.
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In over two years of work, Nicola Tanzini strived to capture the essence of the Tsukiji fish market in an unprecedented guise, focusing on the moment when the working day comes to an end just before the market closes, when everything finally slows down and the dealers can stop the frenetic activity that has kept them on the go since before dawn.
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